Get to Know Your PFF 2016 Filmmakers - Scott K. Foley

We're just seven days shy of PFF 2016 and we want to introduce you to some of our newest filmmakers.  This week we chatted with Scott K. Foley, director of this year's feature festival selection Jessica.   SCOTT

What should festival goers know about your film? 

Sometimes to get where you’re going, you have to outrun who you don’t want to be.

Jessica is a low-budget indie that's been favorably compared to films like Drinking Buddies and Frances Ha, though, as one reviewer put it, with a "story unique enough that it never falls victim to cliché." It’s a movie with a complicated female character at the center of her own story, a film that passes the "Bechdel Test" in its opening minutes and one that goes on to set a new grading curve as it unfolds. We like to say Jessica is a story about a young woman who’s coming-of-age, just five years too late.

How did you first learn about the Phoenix Film Festival, and what made it the right fit for your film?

When we started looking into festivals, we had the opportunity to sit down with talented filmmaker Frank Hall Green to talk about our strategy. Frank’s film Wildlike had played at Phoenix last year and he spoke very highly of the fest. After learning that the festival was started by filmmakers and was recently named one of the Top 25 coolest Fests by Moviemaker Magazine, it was clear that the Phoenix Film Festival would be on our list! Plus, for a short time, when he was Jessica’s age, director Scott Foley lived in Arizona (Wickenburg), and he’s very excited to share the film with the with one of the few places he has called home.

What are you most looking forward to at the festival?

We’re incredibly excited about the screenings of the film. There’s simply nothing better than getting to share the film with audiences, which is always such a rewarding experience. Films were meant to be shared, and we’re really excited about how the Phoenix Film Festival is not only helping us share Jessica, but also allowing us the opportunity to connect with audiences in person. We’re also excited to meet other filmmakers and attend the awesome seminars and talks!

What do you most enjoy about the independent film world?

The piles of money, right? :) But seriously, what we love the most is the sense of community.  First in the creativity and passion of all the amazing collaborators you get to work with throughout the entire process, and then again when screening the film. At every festival we’ve been to, we’ve met lots of other talented filmmakers and independent film fans, and the conversations have been truly amazing. To be able to interact with such a large group of like-minded people is a rare privilege.

What projects are you currently working on?

Well Josh and I actually just moved from our beloved Chicago. Unfortunately we moved in separate directions.  Josh moved to Los Angeles where he continues to work for the Oprah Winfrey Network and I moved to Brooklyn where I’m doing film and video editing. Although we are both still getting settled in our new cities, we have been working on two new genre scripts--one about the dangers of human cloning. Quite a departure from Jessica!

Get to Know Your PFF 2016 Filmmakers - Valerie Weiss

It's that time of the year again! PFF 2016 is just around the corner and we want to introduce you to some of our newest filmmakers.  This week we chatted with the team from A Light Beneath Their Feet, and the film's director Valerie Weiss.  VAL

What should festival goers know about your film? 

A Light Beneath Their Feet is a commanding performance, Taryn Manning (Orange Is The New Black) plays Gloria, an Evanston mother wrestling with bipolar disorder and an imminent empty nest. Her dedicated daughter Beth (Madison Davenport) has a bright future ahead, but must decide if she will stay near home to care for her unpredictable mom or follow her own path.

How did you first learn about the Phoenix Film Festival, and what made it the right fit for your film?

We produced a movie called Bread and Butter directed by Liz Manashil that screened at the Phoenix Film Festival. Liz raved about the festival so we decided we couldn’t miss it this year!

What are you most looking forward to at the festival?

Our writer, Moira McMahon Leeper, will be attending and representing the film. I know she is very excited about the whole idea of the festival and sharing our film with the amazing audiences of Phoenix.

What do you most enjoy about the independent film world?

Being able to tackle topics that can have a profound affect on our society and help change the world we live in.

What projects are you currently working on?

Valerie Weiss, our director, is directing a feminist coming-of-age action film called The Archer that shoots in April 2016.  PhD Productions has several other films and television shows in development. Feel free to get in touch for more info!

Join us for our Opening Night Premiere Event

The Phoenix Film Festival is proud to announce that our Opening Night Film is Morris From America. A heartwarming and crowd-pleasing coming-of-age comedy with a unique spin, Morris from America centers on Morris Gentry (Markees Christmas, in an incredible breakout performance) a 13-year-old who has just relocated with his single father, Curtis (Craig Robinson) to Heidelberg, Germany. Morris, who fancies himself the next Notorious B.I.G., is a complete fish-out-of-water—a budding hip-hop star in an EDM world. To complicate matters further, Morris quickly falls hard for his cool, rebellious, 15-year-old classmate Katrin. Morris sets out against all odds to take the hip-hop world by storm and win the girl of his dreams.Morris-From-America

Written and directed by acclaimed up-and-coming filmmaker Chad Hartigan (This is Martin Bonner), Morris from America won two prizes at this year’s Sundance Film Festival, the Waldo Salt Screening Award and a Special Jury Award for Robinson, who has been receiving tremendous praise for his touching and nuanced performance in his first serious role. Poignant and funny in equal measure, Morris from America is a delightfully original take on growing up, following your dreams, and finding your voice.

Opening Night 7Once again, our opening night film will be shown in conjunction with our Opening night Premiere Event on April 7, a full night of food and celebration, beginning at the Party Pavilion with tastes from some of the best restaurants in town, great entertainment and some special silent auction items.

Then it's over to the theatre for our Opening Night Film, Morris from America.

Tickets for this Opening Night Event are $60 with all proceeds going to the Phoenix Film Foundation's education programs.

Please note that the Opening Night Event is not included in Single Tickets, Flex, Festival and VIP Passes.

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Get to Know Your PFF Alumni-Scott Storm

As a Phoenix Film Festival alumni attendee, you may recall Scott’s award winning Best Documentary We Run Sh*t at PFF2012, or perhaps Ten Til Noon in 2006. His latest contribution is a #PFF2016 animated short – and already multi-award winner – The Apple Tree. Scott shares a bit of his experience with us below. ScottStorm

What projects are you currently working on?

Currently I'm hard at work at my next animated short, the dark, psychological medieval tale, Custodian.  I started it while still working on The Apple Tree because you have to start when inspiration strikes.  It's been a great way to deal with the delays of my next full-length feature, a political thriller, set in the world of Chicago politics, called OPPO.  It was written by Glenn Jeffers and will be produced by Anthony Miller and David Scott Hay.

What advice do you have for independent filmmakers?

I'm not one to give advice because I believe that every artist’s journey is unique, but I will say that you should always be working on something.  The independent film world is tough, highly competitive and not for the faint of heart.  Vacations are a waste of valuable time.  Surround yourself with good people, most often if they are smarter than you are, and have strengths in areas where you yourself have weaknesses.  Jettison any bad apples in your circle, even those that may once have been allies.  They will only bring you down.

Above all ... A. B. C.  Always.  Be.  Creating.

What are some rookie mistakes to be avoided?

Thinking you know more than you do and pretending you know something when you don't.  Always take meetings yourself, even if they are with crew-members, or financiers you'd rather not deal with. You must always be the face of your project.

What is your go-to camera and/or favorite piece of equipment? 

Adobe Photoshop.  For animation anyway.  I create in Photoshop and composite in After Effects.  When shooting live action, I leave the shooting to someone more knowledgeable than I.  I've never been much of a camera geek.  Whatever gets the job done and looking its best.  Trust your DP – even if it's yourself.

What’s one of your quirks on-set?

Talking loudly and being impatient.  I'm aware things take time, but time is money.  I tend to grow prickly if things take too long ... and this extends to the editing process.  I don't believe it should take a year to edit a feature film unless your shoot extends that period.  Another quirk is that I expect everyone else to work at LEAST as hard as I do.   It's a tad unrealistic, but it's something I rarely compromise on.  I have fired people for being lazy and not pulling their weight.  I've never regretted it.

As a filmmaker, what can you not live without?

I cannot live without my favorite movies, which I often look to for inspiration.  I cannot live without TIME to create.  It may sometimes appear selfish to friends and loved ones, but if I don't have long stretches of time to do what I love to do and what I do best, I transform into a hideous beast.

The Apple Tree screens thrice within the Animated Shorts Program at #PFF2016

Check out the schedule, and get your tickets here!

Learn more about the film … and Scott: www.scottstorm.net

 

Contributed by Laurie Smith

Tickets and Passes are on sale NOW!

Passes and tickets are available now for the 2016 Phoenix Film Festival! We have a great line up of films for you this year. Check out our SCHEDULE! The schedule is arranged by venue and gives you a great visual of when everything is happening.

And, of course, if you don't have your passes or tickets yet, CLICK HERE to purchase tickets.

Purchasing your passes online through Brown Paper Tickets will allow you to choose what films you would like to see right on the web. Then when you come to the Phoenix Film Festival Ticket office, you can get your passes and tickets all at once! It couldn't be easier.

We are also available to help you purchase tickets at the Festival office by calling 480-513-3195.

See you at the Festival!

 

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Scorpius Dance Theatre rocks the house Saturday Night!

catwalkScorpius logoThe Phoenix Film Festival welcomes Scorpius Dance Theatre for a one-night-only encore of their wildly popular show, CATWALK! Staged on a runway, this original contemporary dance production fuses funky, local fashions, sexy athleticism and the distinct choreography of Lisa Starry. Catwalk features different choreographic works that are connected by video montages and fashion runway spoofs.

Drawing inspiration from pop culture, Lisa Starry, director of Scorpius Dance Theatre created this all-original, contemporary dance production based on the popularity of today’s fashion scene and fashion television reality shows.

Scorpius hits the Catwalk at the Phoenix Film Festival's Party Pavilion on Saturday, April 9 at 9:30PM. Best part is, this amazing show is FREE to the public!

Come out to the Phoenix Film Festival's Party Pavilion on Saturday night to see Catwalk and stay for some drinks and fun because the party goes until 1am!

 

Get to Know Your PFF Alumni - Blayne Weaver

As we gear up for PFF 2016, we are asking Phoenix Film Festival alumni to offer their experience with an educational approach. This week we asked Blayne Weaver to share some tidbits with us. You may have seen Blayne in writer/director (and PFF Alum) Paul Osborne’s psychological thriller Favor at the 2013 Phoenix Film Festival.

Blayne

What projects are you currently working on?

At this moment most of my life is centered around getting Cut To The Chase out into the world. Though the film itself is done, there is still a lot of work for the independent filmmaker: posters, website, the trailer, etc. The job of shepherding your film does eventually slow down, but you're never truly finished.

I've got three future projects at different stages of development: Clip Joint is a crime thriller I wrote with PFF alum Paul Osborne. It's a really exciting and gritty script that I hope to direct next year. Then there is Future Perfect, a noir sci-fi film that I'm producing and starring in for writer/director Soren Bailey. And finally, I'm writing a psychological thriller called Last Fling that I would love to make with the "Chase" team.

What advice do you have for independent filmmakers?

My best advice is to remember to ask advice. The independent film world is a minefield but, luckily, there are tons of talented people who have been through it. A film festival is an ideal place to meet more experienced filmmakers. Ask questions, compare notes, you're not alone--the film-making community is a collaborative one.

What are some rookie mistakes to be avoided?

Most rookie mistakes occur for two reasons: ego or fear. Neither has any place in an artistic environment. Don't be unwilling to accept criticism, other's input or think yourself above the process, but also don't be afraid to stand your ground and fight for your film.

What is your go-to camera and/or favorite piece of equipment?

I defer to my Director Of Photography Rob Senska on this question. To me, the equipment is secondary to an understanding and communication with your D.P. When director and DP are on the same page it can create an almost psychic connection. I love that relationship.

What’s one of your quirks on-set?

I tend to be very enthusiastic on set. Lots of excited yelling and encouragement. I love making movies and I have a blast doing it.

As a filmmaker, what can you not live without?

Diet Coke.

 

Cut to the Chase offers three screenings at #PFF2016. Get your tickets today!

Learn more about the film: www.cuttothechasefilm.com

www.twitter.com/BlayneWeaver

www.instagram.com/blayneweaver

2016 Phoenix Film Festival film announcements begin - Competition Features