Spotlight on... Documentaries
Join us as we watch and discuss some of the best in non-fiction cinema. These films have not been shown to the Phoenix filmgoing audience before. If you are a doc lover (like we are), this spotlight series is not to be missed!
SCORE: A Film Music Documentary
with special guest, Richard. D Walter, PhD
Musical instrument museum Curator for united states/canada
May 4, 2017
HARKINS SCOTTSDALE 101
ABOUT THE FILM:
What's Star Wars without John Williams? Pirates of the Caribbean without Hans Zimmer? Toy Story without Randy Newman?
What makes a score unforgettable? Taking a peek at how composers developed some of the most iconic scores in history, SCORE: A FILM MUSIC DOCUMENTARY follows the creative struggles of designing a modern soundtrack from scratch, featuring some of cinema’s most recognized names in film music.
SCORE explores the power and influence of film scores in the modern world while revealing the evolution of sound and how composers assemble music the complements a picture to achieve powerful reactions from worldwide audiences.
Featuring interviews from: Composers Hans Zimmer, Danny Elfman, Trent Reznor, Randy Newman, Quincy Jones, Alexandre Desplat, Howard Shore, and Mark Mothersbaugh; Directors James Cameron and Garry Marshall; Film Critic Leonard Maltin; and archival footage from Steven Spielberg, John Williams, and Thomas Newman.
Tickets are $10 for the general public or $5 for Reel Friends and members of the Phoenix Film Society.
Joining us for our post-film discussion is Richard D. Walter, PhD, curator of united states/canada for the Musical Instrument Museum.
Richard Walter was born and raised in Elkhart, Indiana, recognized as “the band instrument capital of the world” for its woodwind and brasswind manufacturing through much of the twentieth century. He earned his bachelor’s degree in anthropology and archaeology from Washington & Lee University and his master’s and PhD degrees in ethnomusicology and folklore from Indiana University. Owning and operating The Ruse coffeehouse showed Walter the value of sharing live music with the local community, while working on digital audio preservation at Indiana University’s Archives of Traditional Music exposed him to the full history of recorded sound technologies as well as to ethnographic field recordings collected from around the world. A variety of teaching positions at both Butler University and Indiana University encouraged him to adopt new strategies for communicating the value of art and music in peoples’ lives.
Walter’s own musicianship began with lazy piano lessons, followed by years of diligent trumpet playing. More recently, he has played banjo, mandolin, and guitar in a variety of bands and genres throughout southern Indiana. In 2014, he was awarded the Kentucky State Bluegrass Banjo Championship.
MIM represents an ideal intersection where Walter’s interests in material culture, musical traditions, and human interactions from around the world are explored and celebrated every day. With particular interests in American vernacular music and associated instruments, he is primarily focused on MIM’s North American collections and exhibits.